After buying several second hand costumes through the internet, I noticed that I am roughly 10 cm/4 inches taller compared to most dancers. How do I notice? Because most of the time, the skirt is too short. I hate short skirts, because it breaks the body line and it looks like I’ve outgrown my costume lengthwise. One of the reasons for me to start making my own clothes was because it was nearly impossible to find pants that were long enough.
A while back I bought a gorgeous second hand costume that I suspect is a Hannan. No label though, so I can’t be sure. The beadwork is superb, very pretty with holographic sequins and seed beads. And it also happens to be too short. Hm. I’ve worn this costume before but it never quite felt right. This summer I am overhauling my costume stash and fixing all the things that need to be fixed and this costume was high on my list.
As an extra challenge, I try to use the materials I already own, as my stash is overflowing. In May I turned two blue chiffon veils into a circle skirt. I needed a blue circle skirt for my student recital and the fabric was a bit too heavy for intensive veil work anyway. The left over scraps were turned into one long piece of fabric, app. 12,5 cm/5 inches wide. I didn’t measure the length but it was slightly longer than the edge of the skirt.
I finished all edges of the fabric strip, then used a long, loose stitch along the top edge of the strip. Pinning the beginning and the end, I started gathering the ruffle and pinning it onto the hem of the skirt. It took a while to get the fabric evenly distributed but it worked. I used my sewing machine to secure the strip to the skirt and I need to hand baste the edge to finish the seam neatly.
I am a professional bellydancer and costume-a-holic living in the Netherlands. My biggest passion is teaching and performing bellydance and I intent to continue for quite some time! If you enjoyed this post and like to be kept in the loop, please like Kyria Bellydance on Facebook or follow me on Twitter. Leave your questions or comments in the box below, or let me know through Facebook.
Behind the scenes I’ve been working on the gold metal mesh costume. I just didn’t have the time to take pictures or write about it, on account of being to busy with end of the year recitals, family time, having camp fires in our back yard and playing real life scrabble with my husband as a Dutch version of date night. The scrabble thing is really confusing as the rules are completely different compared to Wordfeud. Now that I confessed that I am one of the three people in the world that still play Wordfeud, this post can’t possible get more embarrassing. Or, if you play Wordfeud too, want to prove that there are more than three people that still play this game and want to play with me, send an invite to Mekyria.
The good news is that the costume is now wearable as it is, with the belt, bra and skirt fully finished. To celebrate, I decided to go out to a local park and take some pictures. They look good combined with wings. For the future, I’d like to add some upper arm bands in the same fabric and maybe add the left over mesh pieces to the slit of the skirt, to give it some weight. Edging the whole skirt with the mesh pieces might be a bit too much, as the mesh tends to get wrapped up in itself or get stuck on another piece of mesh. To keep it safe, I am storing the bra and belt in a separate bag with a zipper, where I can put both belt and bra in and keep them flat.
I was going through old pictures and I noticed how I had a habit of finishing a costume and then getting out of the door to get some nice pictures. And it occurred to me that I hadn’t done that in…. three to five year? I decided to dress up, head to the local park and get some really quick pictures with the tripod and the remote control. If you look closely, you’ll see how I’m still holding the remote in my hand in some of the pictures 🙂
I got lucky with the light. It was cloudy, creating nice, even lighting. After playing around with the wings, I decided to take a couple of shots to show just the costume. I prefer wearing the belt asymmetrical, which can be seen well in this shot:
And the costume is not too shabby looking from the front either:
In all, I am very pleased with how this costume rehab turned out. All I need is an occasion to perform in it and see how it holds up to a fifteen minute routine. My initial plan was to shoot some video material as well, but the wind disagreed and kept blowing my hair in my face, and trying to get my wings. Maybe some other time.
I am a professional bellydancer and costume-a-holic living in the Netherlands. If you enjoyed this post and like to be kept in the loop, please like Kyria Bellydance on Facebook or follow me on Twitter. Leave your questions or comments in the box below, or let me know through Facebook.
The Moon Goddess costume is finished and had it’s first on stage outing! I’ve been busy with teaching the last class before the Summer holiday, the student recital of my own students (who did an awesome job) and the student recital of my dance friend roos Belinfante. So much to do, so little time!
While working on this skirt it occured to me that if you never worked with chiffon before, it might be handy to know:
Chiffon is semi-transparant. Either make a two layer skirt to decrease the amount of exposure, layer the skirt on top of another skirt/pants or wear leggings underneath;
It is a slippery fabric. Make sure to pin well with sharp pins;
Because blunt pins might cause a thread to be pulled, creating pulls in your skirt. And that would be a shame after all the hard work you’re putting in.
The skirt took up a couple of hours but I always wanted a white circle skirt. It’s so dreamy, I can imagine so many different combinations I could make with my dance wardrobe.
I think I left off with the sketch in my post outlining the project. After the black and multi-color costume I still had some felt left over and I used it to create the belt base. I made the belt base into two pieces and I choose to add a bit of extra length on both pieces. During pregnancy it is considered normal and a woman is expected to gain 24-36 pounds. Since I am halfway there, being slightly over four months, I am already seeing the changes in my body. Making this costume bigger seemed like a smart plan, as I have performances planned up until half September when I’m seven months along.
The belt base was covered by scraps of chiffon. I first pinned the folds down, then stitched it into place with small stitches. I am not completley satisfied with the effect but it’s not bad for the first time of me trying this technique. Wedding dress makers have to practice a long time to get ruching and pleating down to an art (and it shows). I like to look at weddingdresses for inspiration on pleating and ruching as it is very inspiring to see the beautiful things the weddingdress industry makes.
This is the first time that I used pre-beaded rhinestone trim and I am positive about the experience. Easy to cut and stitch to the fabric, though I spend some extra time on finishing the edges of the trim.
To make sure that the belt would fit, I pinned the two parts together and try it on. It fit! WIth a bit of extra overlap to spare, phew. I took out the prebeaded fringe and cut a couple of larger pieces for the lower part of the belt (8 cm wide/ 3″wide). There was some loss of strands but since it was such great quality, it held up well. I then continued cutting smaller pieces to add as accents inbetween the bigger pieces. I ended up with this arrangement.
To hide the attachement of the fringe to the belt, I sewed a big teardropped rhinestone on top. They were left over from adding rhinestones to my vintage gold Bella. I felt pretty good about the progress I was making and to my suprise, the one piece of fringe was enough for the whole costume. I’ll keep the other pieces for new projects, I have a c ouple of things in mind that would work. Next time, more about the bra 🙂
I am a bellydancer and costume-a-holic living in the Netherlands. I enjoy blogging and I have big plans for the future with regards to writing and publishing books and such. I am currently four and a half months pregnant with my first child, which is very exciting. I plan on dancing through most of my pregnancy, we’ll see how that works out. If you enjoyed this post and like to kept in the loop, please like Kyria Bellydance on Facebook or follow me on Twitter. Leave your questions or comments in the box below, or let me know through Facebook and I might write a blog post to answer your costuming question.
Determine the best technique for hemming: the shape of your hemline and the fabric of your skirt
Before I start on the techniques, let’s have a quick look at the shape of the hemline and the material of the skirt. These two factors are important for deciding which type of hemming works best for your project. A circle skirt is made out of panels cut in a circle shape, creating a rounded hemline. This is important as rounded hemlines can’t easily be folded over. Try it with a circular piece of paper: if you fold the edge inwards, several folds along the edge are needed to fold the paper inward all along the edge. The same thing happens with fabric: the ‘ fold over and stitch-technique’ will create a messy hemline.
The second factor is the fabric. I used a chiffon like fabric: a semi transparant woven fabric. There is a slight stretch to it (normal synthetic chiffon doesn’t stretch), making it easier to use techniques that require a bit of stretching and fiddling with the fabric while hemming.
What are these ‘techniques’ I keep talking about?
When I mention ‘technique’ I am talking about different ways to sew something. For instance, a hem can be finished by a fold-over-and-stitch- technique, or a rolled hem technique. In both cases, the skirt has a finished hemline. The result of each technique might be slightly different. That’s why it’s important to learn about different techniques. Remember my adagiocostuming is about what works for you? Sometimes a rolled hem might work, sometimes a serger might be the answer to all your problems. Fold over hems are prefect for straight hemlines and give a great result, but are unsuitable for curved hemlines. Being able to use different techniques and being able to judge what technique will give the desired effect is the sign of a good seamstress.
My favorite techniques for neatly hemmed circle skirts are:
The basic rolled hem
The serged hem (only works if you own a serger or are close friends with someone who owns one)
The rolled hem with fish line finish (adding fish line)
This is a circle skirt with unfinsihed hem, to give you an idea of how the hemming technique can change the look of the skirt.
The basic rolled hem
Use the fingers of your right hand to slightly roll the edge of the fabric inward, and stitch right on top of it so it stays put. The fraying edge of the fabric is neatly tucked away. The nice thing about this technique is that it is a fairly simple concept. The tricky bit is that rolling fabric by hand while operating your sewing machine can get messy and result in uneven, quite big, rolled hems.
I highly recommend investing in a sewing machine foot called the ‘rolling hem foot’. What it does is roll the fabric for you, as long as the fabric edge is fed into the foot in the right way. Sometimes it is included with your machine but if it is not, go to your local sewing machine store and order it. It will change your life for the better. With a rolleed hem foot, creating even, neat and narrow rolled hems is a walk in the park. It takes a bit of practice and after that you’ll be hemming in no time. Roll hemming creates a narrow, roll like hem.
The serged hem (you need a serger for this one)
I am slightly envious of people who own a serger. It’s an amazing machine that can stitch, finish and cut fabric at the same time. It’s the reason why store bought items always have such nice finished seams. If you own one, it will also be the bane of your existence. Operating one is not easy and since it uses 3-5 threads at the same time, a lot of things can (and will) go wrong. However, if you own a serger or are close friends with someone who owns a serger, finishing the hemline with a serger is a great option. It will create a narrow, flat, flexible hem. Special thanks to Brenda for serging this skirt for me 🙂
The rolled hem with lettuce finish (adding fish line)
If you’re into fancy finishes, try edging your circle skirt with fish line! It is a relative easy proces. Instead of a normal roll hem, sew fishing line inside the rolled hem. The fishing line comes from a spool and thus creates a meandering, lettuce like effect. Sparkly belly has a more extensive post about this technique on her website.
This technique creates a hem that is rolled, and falls in natural curles and curves.
For your enjoyment, here is a quick overview of the effect of the different hemming techniques.
If you enjoyed this post, please like Kyria Bellydance on Facebook or follow me on Twitter. If you have a question or comment, let me know through Facebook and I might write a blog post to answer your costuming question.
It’s been quiet on this blog for a while. Rest assure though that I am still costuming my heart out! Finding the time to blog about it, now that’s the real challenge. Instead of showing you stuff I madein the last couple of weeks, I’d rather start with a quick update on things that are going on on my (our) lives.
We’re remodeling the attic! Four to six builders took over our house and transformed our attic into two decent sized bedrooms. They build two dormers and replaced the old window frames at the front of our house. Our dog acted as their supervisor and kept a close eye on things.
The downside of remodeling? Once the builders are gone, it’s left to us to finish the job. Like plasterig the walls, painting the woodwork, dragging all the stuff we stored in other parts of our house back upstairs. We’ll be busy with finishing the job well into July. But look at that space! For reference, the old roof is the diagonal beam in the right part of the picture.
There were hafla’s, mermaids and drum solo’s. I did a performance as the moon that I am very pleased with. In a costume that I borrowed from a friend (thanks Laudie!) because I didn’t finish the moon goddess costume yet. These are my students and me performing a drum solo with my dance friends from Sense of Bellydance drumming. That’s me on the right, with the blinged up old school Bella. My weekly classes are almost at the summer stop, which makes me sad and happy at the same time. Sad because I love teaching and happy because I am run down and tired and would love to have a break.
See those blue skirts in the previous pictures? I got some left over fabric that I am transforming into costumes for my student recital next Sunday. By ‘some left over fabric’ I mean I had about 25 meters lying around. It was inexpensive and the guy at the fabric market offered me a discount for buying two bolts. I’m sure you’d done the same! There’s not enough to make double layer chiffon skirts for everyone, so I made five single layer chiffon skirts instead. Here’s a quick tip for hemming circle skirts when you’re in a hurry and the skirts have to be ‘one size fits most’.
Hang them on a clothes horse or laundry line and leave them there for about seven days. The threads in the fabric need to adjust to their new position and gravity needs time to work it’s magic. Some parts of the fabric will stretch out a bit, making the hemline uneven.
If I had time, I would put each skirt on my dressform and carefully cut the hemline to even it out. If I had more time, I’d go over to a friend, who would lovingly cut the hemline to my personal length while we eat chocolate, share bellydance tips and fawn over the latest costume designs. Unfortunately, my time is limited (see 1. House and 2. Dance). When I run out of time, I create shortcuts that help me do the job.
The quick and dirty way to cutting hemlines on multiple circle skirts
Take a circle skirt that is already at the correct length and hang it next to the unhemmed skirt(s). Make sure that the skrits are pinned on exatly the same way at the top, otherwise your hem might come out a bit wonky. I am aiming for slightly longer skirts with the last three because I am going to finish with a lettuce hemline. Using the finished skirt as a guide, cut the hemlines on the unfinished skirts.
Tadaa, the skirts are ready for the next step! More about different ways to hem a circle skirt in a later post.
That’s it for today! See you soon 🙂
If you enjoyed this post, please like Kyria Bellydance on Facebook or Twitter. If you have a question or comment, let me know through Facebook and I might write a blog post to answer your costuming question!
Thanks for reading, and cut those circle skirts ’till you can cut no more!
A couple of months ago I started working on a blue/green costume. I covered a Dina bra base, rope beaded the edges and covered the strap. Then life happened: I was the producer/teacher/stage manager/sound engineer for the ‘Arabian Nights’ shows in December, that certainly was a lot of fun. During Christmas I had a personal matter that asked for all of my attention and after New Year I needed to work on promotimg and teaching my weekly classes.
All very valid reasons why I didn’t continue working on the minty fresh costume. What also didn’t help is that I cut into one of the backpanels of the skirt by accident and I don’t have more of the blue fabric. The skirt design needed to be completely redone to make up for that mistake.
Below is the drawing of my original design plu
s the updated design. As you can see, there’s a bit of an hourglass line going on in the skirt that should work wonders.
I find it hard to continue and finish costume projects that are put on hold for some time. A good example is the green velvet costume that I started in 2007 and finished in 2011. An even better example is my to-do box that contains costumes that I will probably never finish. But! Finishing a project is very important for my state of mind. Unfinished projects are like skelletons in my closet, they are in the back of my head taking up space that I rather use for new projects.
with that in mind, I cut the new patter pieces and made the matching skirt. Sure, it isn’t a complete costume yet, but all it needs is some chunky beading and a bit of fringe to take it to the next level. And with that in mind, I am putting it back into the to-do box.
I dare you to post about one of your unfinnished products on your blog or facebook. Tag me and we can act as an ‘unfinished project support team’ for each other.
Amulya asked about a post to gather all the costume entries for the Pink Turkish costume. It is also an excellent opportunity to show you pictures of the finished costume. I have worn this costume six times since I finished it and it is holding up great. I’m a little bit concerned about the holographic foil print turning silver over time, but so far, so good. I haven’t written about making the accessoiries: there is a matching upper arm band and a triangular hand decoration. They were fairly easy: I used a paisley medallion, added to a strip of fabric and edged in beads/sequins. The necklace is my multi-color butterfly necklace that also matches my Pharaonix butterfly. Come to think of it, it matches most of my costumes as it is multi-color. I highly recommend investing in a multi-color jewelry, as it creates an extra bit of visual interest. Rhinestone jewelry just didn’t cut it for this costume.
This is a picture of our duet. Hadyr is wearing the Bella I sold her earlier this year, which was the reason why I needed a costume to match it’s magnificent blingy-ness. Picture by Merijn van der Vliet:
And here’s a close-up from a later show in Bussum. Picture by Michael van Schijndel: